- #Using propellerhead recycle to slice speech how to#
- #Using propellerhead recycle to slice speech pro#
- #Using propellerhead recycle to slice speech software#
- #Using propellerhead recycle to slice speech Pc#
Native Instruments Intakt, Bitshift Audio Phatmatik Pro, and GForce Beat Burner (among others) all have Recycle as their common ancestor.
#Using propellerhead recycle to slice speech software#
The idea of beat slicing has also been adopted by a number of other software products.
#Using propellerhead recycle to slice speech Pc#
Instead, Recycle v2 files (REX 2 format, using the 'rx2' PC file extension) can be played back directly by many software studios, including Cubase, Logic and Reason. Today, Recycle is still going strong but no longer supports communication with hardware samplers. Having individual slices opens up many other possibilities. In addition to freeing the loop up from the tempo it was recorded at, you can also mess with the sequence, triggering the slices in any order you like, or removing parts altogether. No audio has to be stretched because all you're doing is changing the intervals between individual hits being triggered. Now your drum loop will run at any tempo you set in the sequencer. A MIDI file is generated that plays through the loop one slice at a time with the original order and timing. Each 'slice' is loaded into a sample playback device of some kind and assigned a MIDI note number. Its main purpose is to take a drum/percussion loop sample, and automatically chop it into sections using transient detection. Recycle is a beat slicer, originally designed to work with hardware samplers. Just drag it to the right until slice marks appear at each individual drum hit. If you've just got a simple drum loop to slice up, then Propellerhead Recycle's Sens control may be all you need to know about.
Although originally packaged as a Steinberg product, this was in fact the first outing for our favourite Swedes: Propellerhead Software. Anyway (drum roll), 1994 saw the launch of a product that began the new era of looping technique: Recycle. Of course with Sound Designer came the hint that the future of looping lay inside the computer with your MIDI tracks, rather than out there in a beige box. Digidesign's early Mac-based audio workstation Sound Designer moved things along by enabling you to manipulate loops on screen and dump them back into the sampler. But time-stretching could only be used over small tempo ranges without causing serious degradation of the audio quality. Samplers later began to get time-stretching abilities, so you could alter the tempo without changing the pitch of the sample. Samplers and sequencers made triggering a short loop much easier, and meant that you could start layering them up by pitching samples up and down in order to match tempos.
But really the pioneers of modern looping were skilled DJs. OK, actually a big nod has to go to pioneers like American composer Steve Reich, who were constructing pieces from tape loops in the '60s.
Obviously, nearly all music is cyclical or loop based, but the idea of looping short pieces of recorded audio to create a new song really took hold with turntablism, hip-hop and electro. But another option is to take loops and transform them into something that's your own, and that's what we're interested in here. Sometimes, after a while, you can take out the original loops altogether and the construction stands up on its own, like removing the framework from an arch when all the bricks are in place. It can also be a starting point to inspire something else: you set a few loops going and you hear a new groove that you can start working against. This is fantastic for kids, or if you enjoy putting together songs as a hobby without having the spare time to learn all the dorky synthesis stuff. This can be cool: you sit down with Garage Band or Reason and throw together a bunch of library loops until you have a song. While loops were once predominantly dance and hip-hop tools, they are now used routinely in the production of most genres of music.Īnd loops can also make things rather easy.
#Using propellerhead recycle to slice speech pro#
For a long time they were associated with hardware samplers, but now they're everywhere: in REX players such as Propellerhead Reason, Emagic Logic, and Steinberg Cubase in specialised plug-ins such as Bitshift Audio Phatmatik Pro and Native Instruments Intakt and in audio sequencers such as Ableton Live, Sonic Foundry Acid, and Apple Garage Band.
Sampled loops are part of the fabric of modern music production.
#Using propellerhead recycle to slice speech how to#
We look at the leading beat-slicing software and show you how to get the best from this powerful technique within your sequencer. Beat slicing can radically expand the creative potential in your loop library - you can match tempos and key signatures, rearrange loop events, and delve into inspirational sound design.